After studying in Architecture at the Architectural Association (AA) and working in Architecture gaining a grounding in Computer Animation through the completion of a Masters Degree at Bournemouth University. I then worked in 3D lighting. I found this particular industry experience invaluable and have since pursued my interest in computer visualisation and photographic compositing.

 

I subsequently worked as a Texture/Environment Artist. I worked as a RenderMan Lighter for Vanguard Animation on the Valiant film production followed by a Lighting TD and Compositor role in the Oscar winning production of ‘Happy Feet’ for Animal Logic.

Whilst working at companies like Framestore, I gained experience in Matte painting on productions such as ‘Wanted’, ‘The Dark Knight’ and ‘Me and Orson Welles’, continuing on TV productions and commercials with Jellyfish Pictures/Glowfrog/Nexus and Envy Post.

Recently I worked at Rising Sun Pictures in Matte Painting and 2.5 projections work in Nuke on films ‘The Great Gatsby’ and ‘Wolverine’ and at Cinesite on ‘John Carter’, ‘World War Z’, ‘X Men Days of Future Past’ and ‘Hercules’

At the Senate ‘Muppets Most Wanted’ and Matte Paintings for The Senate on Ridley Scott’s ‘The Martian’ along with  ‘Victor Frankenstein’ and ‘Downton Abbey’ season six for Broadcast.

 

 

Great Gatsby

Digital Matte Painter

Rising Sun Pictures

(2013)

Valiant

Digital Environment Artist

Animal Logic

(2004)